Avoid Male Touch!
Plot: This film tells the story of a doctor who aspires to practice orthopaedics; however, his rank does not permit him to gain admission. As a result, he is admitted to gynaecology and must suppress his ambitions to pursue that field. Nevertheless, when he is denied his true passion, it becomes increasingly difficult for him to focus on his new path.
However, after seeing what life is like in a hospital, he learns a lot and makes mistakes, and eventually he tries to become a good doctor. Will he succeed in his endeavour? Will concentrating on gynaecology help him become a good doctor? Would he abandon his aspirations to work as an orthopedician? To find out the answers to each of these inquiries, You’ll need to see the film.
Theme and Tone: The film’s theme is “Humanity and Sacrifice,” which is based on medical life, and its tone is “Comedy Drama,” which combines humour and emotion. In addition to providing entertainment, the film aims to convey the social message that doctors face many challenges in their line of work and that life is not as simple as we may believe.
“Ayushman Khurana‘s” performance as “Dr. Uday Gupta” is excellent. His character has a hint of humour, and he did a great job portraying it. His role reflects the kind of bravery required to portray the role of a responsible doctor. Shefali Shah does a fantastic job portraying Dr. Nandini Srivastava. Her outbursts are amusing to watch, and her delivery of dialogue and facial expressions suggest that she is playing a real doctor.
Sheeba Chaddha does an astounding job portraying Shobha Gupta. She has done a great job portraying the role of a mother to her son, even after losing her husband when she was pregnant at a young age. Her comedic moments are also exceptional and well worth seeing. She has performed well in whatever role she was given. The way that “Abhay Mishra” plays “Chaddi” is exquisite; his facial expressions and dialogue delivery demonstrate that he can be a long-term contender and that this movie will garner him a lot of praise. Rakul Preet Singh‘s portrayal of Dr. Fatima is equally outstanding; she did the role as required. Every character in the supporting cast does a good job acting.
Direction: “Anubhuti Kashyap” is directing this, her first Hindi film. She demonstrated in her first film that she is a long-term contender with her distinct storytelling style and her ability to get excellent performances from all the characters. Making a film about a delicate subject is difficult, but he did it with ease. The movie moves slowly, but the audience is captivated by it from start to finish, and he maintains control of the whole thing.
Story: “Saurabh Bharat” and “Vishal Wagh” have a good story, but it has a lot of layers. If there were fewer layers, the story might have had a little more impact.
The screenplays for “Saurabh Bhagya,” “Vishal Wagh,” “Sumit Saxena,” and “Anubhuti Kashyap” are all strong. There are several layers to the screenplay. There was room for some tightening of the screenplay. Both the pace and the character development could have been quicker.
The dialogue in “Sumit Saxena” is incredibly strong, remarkable, and humorous. They go well with all the characters in the movie.
Some conversations are humorous, while others have more than one meaning.
“Eeshit Narain” has good cinematography. Some scenes have good camera work. Additionally, the camera’s speed is good.
Light and colour have also beenwell utilized.
Editing by “Prerna Sehgal” The first half of the movie moves slowly. It moves a little too quickly in the second half.
Production Design: “Arvind Ashok Kumar” and “Bindiya Chhabaria” are fine, but there wasn’t much room for improvement.
The “Rohit Chaturvedi” costume designing is excellent.
Music: Some songs on “Amit Trivedi” are good, but overall it’s OK.
Lyrics: Well-written by lyrics
Background: “Ketan Sodha” looks fine.
Sound Design: “Alvin Rego” and “Sanjay Maurya” are fine.
Choreography: “Bosco Caesar” by Dil Dhak Dhak, step-copy by“Vijay Ganguly” is fine.
Climax: It’s mediocre; nothing exceptional was created.
Viewpoint: You can watch it to see good acting, comedy, humour and dialogues.
At the 68th Filmfare Awards, the film received nominations for categories such as Two Best Supporting Actress, Best Debut Director, Best Debut Actor, and Best Dialogues. However, despite these recognitions, it ultimately did not win any awards.
Flaws: The film’s pacing is hampered and annoyed by the recurrence of Chaddi and Uday’s scenes.
A schoolgirl who is a distant relative of Uday’s friend has been forced into the affair.
By depicting a married person’s affair with a schoolgirl, what message do you wish to convey to society?
Do you want to demonstrate that whatever she is doing is acceptable by depicting a middle-aged mother with a young son, falling in love and having an affair at this age? The scenario presented makes it appear as though everything is fine, but what message do you want to convey to society by displaying this without any justification?
CBFC-A Movietime-2h.4 mins Genre-Comedy Drama Backdrop- Bhopal Release Year-14 October 2022
Film Cast-Ayushmann Khurrana, Rakulpreet Singh, Shefali Shah, Sheeba Chadha, Abhay Mishr, Indraneil Sengupta, Ayesha Kaduskar, Shraddha Gautam, Priyam Shah, Karishma Singh, Anju Gaur, Paresh Pahuja and (Special Appearance Puja Sarup)
Director: Anubhuti Kashyap, Producer: Vineet Jain, Screenplay: Sumit Saxena, Saurabh Bharat, Vishal Wagh, Anubhuti Kashyap, Story: Saurabh Bharat, Vishal Wagh, Dialogues: Sumit Saxena, Production Design: Eeshit Narain, Editor: Prerna Sehgal, Production Design: Bindiya chhabaria, Arvind Ashok Kumar, Costume Design: Rohit Chaturvedi, Music: Amit Trivedi, lyrics: Puneet Sharma, Kumaar, RajShekhar, Amjad Nadeem, Guest Composer: Sultan Sulemani, Amjad Nadeem Aamir, Casting Director: Gautam Kishanchandani, Background Score: Ketan Sodha, Sound Design: Allwin Rego, Sanjay Maurya, Choreography: Bosco-Caesar, Vijay Ganguly
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